If I were prone to making statements like “Life Sucks is like [cultural product x] meets [cultural product y]“, I suppose I’d sum up Jessica Abel, Gabe Soria and Warren Pleece’s Life Sucks as Reality Bites with vampires. It’s an easy comparison to make – the mid-twenties malaise, the directionless jobs, the strongly felt and fought over romantic tryst are similar to those in the film – just with added bloodsuckers. While the love triangle and battle for the love of a mortal woman storyline feels tired already, it’s the twist on traditional and contemporary vampire mythology that makes Life Sucks appealing.
Dave is a socially awkward and very reluctant vampire, sired by a Romanian immigrant for the sole purpose of having cheap and easily controlled labour for his convenience store. Dave’s experiences in the store are mundane, repetitive, and largely unexceptional. Except when the local juice bar closes and the vampire posers and goths, including Rosa, descend on the Last Stop for their late night supplies. Dave is drawn into competition for Rosa’s affections with the surfer dude vampire Wes, an alpha male figure who is at peace with his laid back masculinity and his vampire instincts.
Dave, my friend, there’s no way I could make you feel worse than you do yourself.
As always, it’s the subtle commentary on meaningless, repetitive service jobs and the bonds with friends that appealed to me more than the romance side of the story. There are some brilliant scenes of Dave being bombarded by requests from customers, some normal, some completely outrageous, and his bored facial expression never changes. The idea of vampires as wage slaves is unique, yet apt – who didn’t feel manipulated by a boss that could convince you to come to work even on your one day off? That Dave’s boss, Lord Radu Arisztidescu, reminded me of a boss I had in my late teens made this concept feel all the more familiar.
Dave is reluctant to follow his vampire instincts, unlike his friend Jerome. Instead, he drinks blood from a can (and doesn’t want to know where it comes from) or gets it from the blood bank – anything to avoid having to kill. Tales of Jerome’s bloody conquests make him feel ill. The friendship between Dave and Jerome is portrayed warmly, with small moments of cameraderie celebrated by a fist bump, and a wry routine clearly well established between the two. Some of the facial expressions alone in these sequences made me laugh out loud. Forget the romance, I wanted more of Dave and Jerome.
But, this is contemporary vampires so we can’t leave out that all important romance element. Rosa is not the most enduring character – rather more of a blank slate for the vamps to project their desires on – and both Dave and Wes’ attraction to her doesn’t seem to be any deeper than physical. The competitive nature of their duel is off putting, and difficult to engage with. There is a nice contrast between what Rosa imagines vampires are like to what we know is decidedly unromantic for Dave and Jerome. Of course, Rosa remains ignorant of Wes and Dave’s vampire status and just as things seem to be running smoothly for our hero, out comes the big secret. The dénoument to Dave’s growing predicaments seems a little too convenient.
Look at me! I work like a slave for my master! I’m broke! I can’t even go out in the sun! Is that romantic? Does it sound fun? I’m supposed to be out killing people!
While not entirely convinced or interested by the romance plot, I did enjoy the playful approach to vampire mythology. It’s a unique enough idea to maintain interest, but the story lapses into an all too familiar romantic triangle with a predictable outcome. The highlights of Life Sucks are the accurate portrayal of the banality of contemporary service jobs and comfortable friendships and while these concepts are not original in fiction, mixing them with the vampire myth adds a new perspective.








