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Book Loot: Week Ending August 15th, 2010

I’d resigned myself to not buying any books this week, I wasn’t expecting any parcels to arrive and had no intention of going book shopping. Then my Dad roped me in to spending a day exploring op shops and second hand bookstores. It took a lot of convincing, but I happily tagged along:

Over the past year or so I’ve become more inclined to buy new/remaindered books, mainly thanks to a.) working in a remainder bookstore, b.) working in a “normal” bookstore and c.) The Book Depository. When I was younger, and even sometimes now, I bought a lot of second hand books. What I love about them is thinking about the journey they’ve taken to end up in a particular store. How did a Vintage Classics copy of Aldous Huxley’s Island bought in Indonesia for 40 000 RP end up for sale for $2 in a suburban Salvation Army store? Why did someone buy Volume 3 of Harold Pinter’s plays from Monash University bookstore and how did it end up unread in a second hand bookstore by the train station? What was originally in the envelope in All the President’s Men that was then used as a bookmark, forgotten about at page 42? I like to think about these stories, in addition to those contained within the text.

This week I was also suffering from what I not so fondly refer to as perma-headache. Not quite as intense as a migraine, but painful enough to be constantly aware of the throbbing pain in my head. Very annoying. And in my birthday week as well! There were some exciting things happening despite perma-headache. My favourite band, Manic Street Preachers, who I’ve loved since my early teens, announced their first Australian tour in ELEVEN YEARS! This means I’m currently planning another trip to Sydney to see them play in two capital cities in November. I’d been looking for an excuse to visit Sydney again after going there (again, for a band) in March, and this is the perfect reason. There’ll be more about this band in tomorrow’s review, as the tour was not only announced on my birthday but while I was reading a biography about them. Pretty amazing coincidence.

Imperial Bedrooms signed by Bret Easton EllisThis week Bret Easton Ellis was in town, and I went and saw him interviewed at the Athenaeum Theatre on Friday night. It was such a great night, Ellis was in top form, funny and irreverent. I met him briefly afterwards, he signed a couple of my books (including the battered copy of Less Than Zero I’ve been reading and rereading since I was sixteen) and posed for a few photos with me. I look insanely happy. He was very lovely, chatty and warm. When my sister accidentally took a photo of us while he was looking away he insisted that she retake it as he wanted to be looking at the camera. While I don’t really get the whole book signing thing, I’m very happy that I got to meet him.

I read Imperial Bedrooms this week, and I’m not going to review it for the blog. It was difficult to get out of review mindset and just read for pleasure, to really immerse myself in the book and enjoy it – that’s not to say that I don’t enjoy the books I do review but it’s a completely different approach to read without that critical distance. Does that make sense? I’m sure that I’ll be rereading it in the future and then I will write up my thoughts on it, but for now I was really pleased to just read the latest book from one of my favourite authors. Heh, maybe some time in the future someone will pick up my signed copy of Imperial Bedrooms and wonder who Jess was and why the book ended up in a second hand bookstore.

Book Loot: Week Ending May 2nd, 2010

A warning to all, especially those on self-imposed book buying bans, this post features an obscene amount of books. First, some ebay packages arrived. Then I found out one of my favourite secondhand bookstores in the city was going out of business and selling all their books for $1. Yes, $1. I set myself a modest limit of $20 and let loose, coming out with only (cough, only? My shoulder and hands disagree) 19 books. The day after the sale ended, my sister happened to be wandering by and they were chucking books into a dumpster; she scored some really good stuff too.

And then, yes, that’s just my loot from during the week, there was Clunes. I came well under budget, spending much less than I thought I would. It was a great day, lovely surrounds and buildings, a good vibe, a few friendly dogs and lots of books.  Here’s my haul:

And, a few interesting articles from the week:

Book Loot: Week Ending 28th March, 2010

Portrait Fille by Tamara de LempickaSincerest apologies for my unexpected week long absence from the world of book blogging, but sometimes music, friends and adventure are necessary diversions for maintaining sanity. Reviews will resume as usual from Wednesday. I went to Sydney during the week to see one of my favourite bands play live (and saw them again just a few days later in Melbourne.), hung out in the city for a few days, very maturely and joyously jumped on the hotel bed to pop music, hugged a superhero, got drunk with a British tourist, went book shopping:

A loot which did not interfere with my baggage limits, thank goodness. My favourite place in all of Sydney would have to be Kinokuniya, which had the most diverse range of books I have ever seen in a store. I said to my traveling companion Matt, “I hope you don’t get bored waiting around for me” but it turned out that he was just as enraptured by the store as I was. Later that evening, after our minds were blown by the experience of seeing Brand New live again, in a new city, new setlists, right up the front, sweaty, dancing and screaming; we agreed to get some food and end the night there. We were in bed before midnight, each of us reading our new books by lamplight like some oddball married couple, which was a little bit cute.

It was TOTALLY worth traveling all that way to see the band, such an intense live show and it strangely and inexplicably felt like closure and a new beginning at the same time. Not just garden variety closure, but boarding the windows, bolting the door shut, throwing away the keys to the locks, digging a moat around it, throwing a couple of nasty beasts into the moat, and blowing up the bridge to prevent anything from that part of the past returning. All that just from seeing a band! It feels like a pretty miraculous and exciting place to be.

[Image: Portrait Fille by Tamara de Lempicka]

Brave New World by Aldous Huxley (1932)

Brave New World by Aldous Huxley (1932)I picked up Aldous Huxley’s classic Brave New World with knowledge of its dystopian themes, but with no real awareness of its story; vague recollections of soma and babies being created mechanically, but nothing really beyond that. It’s amazing how in a culture in which we are continually spoiled or assumed to have a certain level of knowledge about canonical texts, somehow, basic information about Brave New World had passed me by. Set in the distant future, civilized society has taken technology and the methods of mechanical reproduction to every aspect of human life – the physical birthing process and concept of mothers are abhorred in favour of chemically differentiated humans assigned to castes according to tasks that need to be performed within society, work is performed in exchange for the perfect drug soma, promiscuity and carnality are encouraged, and above all the collective social order is more important than the individual. Within this system, Bernard Marx finds himself feeling “different” but it isn’t until he returns from a savage reservation with the naturally birthed son of Bernard’s Director that the social order can be examined from an outsiders perspective.

‘But people never are alone now,’ said Mustapha Mond. ‘We make them hate solitude; and we arrange their lives so that it’s almost impossible for them ever to have it.’

Bernard Marx is such a complex character, he is for the most part of the novel the sole voice of protest but he is too afraid to really express it, surrounded as he is by others who have been successfully conditioned to passively accept everything on offer. When John revolts against the impassive acceptance of his mothers death and refusal to see his grief, Bernard just stands back unable to join him. In his heart, and in his thoughts he knows that the methods of distraction are against everything he wants to stand for, but because he is both critical and part of society he just cannot separate himself entirely because it is all he knows. I didn’t wholly understand the point Huxley was driving toward until John (the Savage) meets with the Controller, Mustapha Mond, and Mond discusses the basis of the civilized world to the alienated and confused John. It wasn’t until this point when all everything started fitting together for me, and became truly horrifying – and started to mirror aspects of our own culture as well. The cult of positivity, the fear of solitude, the use of entertainment to dull people. Here’s a graphic which lends the comparison to today a stark relevance, and compares the future as envisioned by Huxley to that of George Orwell’s Nineteen Eighty-Four.

‘But I don’t want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin.’
‘In fact,’ said Mustapha Mond, ‘you’re claiming the right to be unhappy.’
‘All right, then,’ said the Savage defiantly, ‘I’m claiming the right to be unhappy.’
‘Not to mention the right to grow old and ugly and impotent; the right to have syphilis and cancer; the right to have too little to eat; the right to be lousy; the right to live in constant apprehension of what may happen tomorrow; the right to catch typhoid; the right to be tortured by unspeakable pains of every kind.’
There was a long silence.
‘I claim them all,’ said the Savage at last.
Mustapha Mond shrugged his shoulders. ‘You’re welcome,’ he said.

I’m still stunned and taken aback by how powerful the final chapters of Huxley’s novel are. Reeling, I suppose one would say. I think my experience of Brave New World is going benefit immensely from multiple rereads, there was so much going on that didn’t become clear to me until the end. I feel completely unable to articulate how deeply it has shaken me. I wonder whether this paralyzing inability to write about Brave New World stems from the power and continuing relevance of its message or from the novels prestigious reputation. It’s the same feeling I had when I was reading The Heart is a Lonely Hunter for the first time (yes, I can really tie Carson McCullers into any and every book discussion I have.), the feeling of “yes. Yes. Yes! Someone else gets it.” I’m sure it’s just a matter of synchronicity, simply discovering it at the right time.

Book Loot: Week Ending January 17th, 2010

Book Loot: Week Ending January 17th, 2010[photo now attached. I was having some issues with my wordpress image uploader, which I dealt with in a mature way, no yelling at inanimate objects, throwing things or tiny pinprick tears of frustration. No, really.]

I won After the Fireworks through Library Thing’s Early Reviewer program, it’s a lovely edition of Huxley’s novella from Hesperus Press. Savigneau’s McCullers biography was bought on eBay over a month ago and once I sent the seller an email about its whereabouts, of course it arrived the next day.

In terms of reading, I think I’ve burnt myself out on contemporary fiction for the time being, everything I’ve read so far this year was only published in the last couple of years and I’m ready for something a bit older now. I’ve been eyeing off my stacks of Penguin and Vintage paperbacks with something approaching licentiousness. Contemporary fiction is good for a while, but there is no way I could only read the latest releases. Like wine, whiskey or cheese, good literature only gets better with age.

Here’s a bit of an audio treat for the end of week: Karen Russell, author of St. Lucy’s Home for Girls Raised by Wolves, reading and discussing Carson McCullers‘ short story “The Jockey” for the New Yorker fiction podcast.