Context, as they say, is everything. If I had picked Ben Mezrich’s The Accidental Billionaires: Sex, Money, Betrayal and the Founding of Facebook outside of the 24 Hour Readathon, I’m not sure I would have read more than a couple of chapters before setting it aside. As it is though, during the long stretches of sustained reading of the Readathon, The Accidental Billionaires provided a reasonably engaging, though highly problematic, read. Billed as non-fiction, The Accidental Billionaires is written in a curious style Mezrich claims is a “dramatic narrative account of real events.” This approach is effective only if you’re not after hard facts, dates, numbers and an unbiased perspective.
The story behind Facebook’s creation is rife with, not quite the betrayal suggested by the title, but human drama based on greed and perceived injustice. From all night coding sessions in dorm rooms to business deals agreed upon over pizza, The Accidental Billionaires presents its cast as the unlikeliest to succeed. Only, as we know, they do and in a way that could not have been anticipated. The ascent from computer geekery to billions of dollars being thrown at Zuckerberg and company is astounding. Amidst Zuckerberg’s success though, there are those that demand their cut of the profits – Eduardo Saverin, a founding investor, and the Winklevoss twins, who made moves to collaborate with Zuckerberg on a networking project of their own.
They were jocks from a wealthy, tony family. Mark was a nebbishy geek who had hacked his way to stardom. This was a class battle the journalists couldn’t ignore: rich, priviliged kids who believed the establishment existed to protect their rights against a hacker who had been willing to break the rules. Honor code vs. hackers code.
The Accidental Billionaires reads like (poorly written) fiction, and it is difficult to know – with so many voices chiming in, but for the conspicuous absence of key player Mark Zuckerberg – what happened and what was perceived to have happened. Especially as so many of Mezrich’s sources are the very same people who sued Zuckerberg, it’s hard not to read this as their way of getting their own back. The flowery prose stretches far beyond Mezrich’s talents, and I’m not quite sure of the motivation for writing this particular story in such a manner.
Another aspects of The Accidental Billionaires that made me uncomfortable was the portrayal and absence of female figures and I’m not quite sure how to approach this issue. Women don’t play a role in this story beyond that of sex objects, things to be viewed, rated and compared. Sure, they serve as the original inspiration for Facebook, and the original inception of the site serves the function of this rating and comparison of appearances, and once the boys find success, the girls come a-running. It is worrying that individuals in possession of such intelligence, whether it be business or programming prowess, so easily buy into this idea of voyeurism and objectification. But then, the tentative factual accuracy of The Accidental Billionaires calls all this into question. Intended as piece of non-fiction, the author can claim to merely be presenting the facts, as it happened, and to have no role in the perpetuation of a sexist ideology. However, while our male heroes and villains are described in Mezrich’s bombastic prose, every woman who appears – visually only, never playing a substantial role – is described as, invariably, “hot”. That’s not even getting into the excessive exoticization of Asian women. Like I said, I’m not sure I have an appropriate framework to properly critique this, but I found it distasteful and troubling.
The Accidental Billionaires offers little analysis or critique of the activities of those involved or the effect Facebook, and social networking in general, has had on our culture and presents the story of the foundation of Facebook with an obvious bias. That said, the human drama, the battle between privilege and hard work, the always interesting aspects of sex, fame, money and business, make this version of the story behind Facebook compelling enough. However, this may end up being one of the very few instances where the film adaptation, The Social Network, ends up being an improvement on the book.








